Gig review - Xfm's Winter Wonderland @ O2 Apollo Manchester 04/12/12

(Sorry for the bad pictures. Blurryness, odd lighting and shining bald guards with their heads in the way)

   Xfm have once again, smashed it. Their Manchester leg of the beloved Christmas gigs, often the pinnacle of winter gigs, over-stepped the mark this time round. A mixture of new and old classics created the most perfect night of raucous elbow bashing and crowd surfing. (Excuse the bad photos this time round, taken by myself amongst a crowd you couldn't expect to stand still)
   As you could probably tell by the endless articles I've written over the past month or so, I was just a little bit excited for Tuesday night, and so was everyone else that managed to get their hands on a ticket. Full to the brim, Xfm brought out Tim Cocker to flaunt his comedic ways and introduce the awaiting band.
   First up was Findlay, a band that not many people had heard of and weren't expecting much from. The four piece marched on and gave us an acapella piece to kick off the night. Taking her Mic, she belted every word out with passion to the Manchester crowd. An opening song that was nothing short of hipnotising, setting us up perfectly for the rest of the set. The second song of their short set was 'Your Sister', which grabbed the attention of the crowd. It displayed to us perfectly the grungy, gritty, rock style of Findlay. A few more tracks were played and sadly they had to leave. Once again Xfm have picked up a great new band that could and should be around for years to come.

   Second on the bill was the ever growing Spector. A treat for a band that was just second up. Once again, Spector displayed their edgey indieness, with floor fillers such as 'Friday Night...', 'Celestine', 'Chevy Thunder' the epic 'Never Fade Away'.

   Third on the bill were Manchester lads, Delphic, making their second Winter Wonderland appearance. These fellas have been on a bit of a break for the past few years after their debut album release back in 2009. In all fairness, a lot of people were confused on why they were above Spector on the bill, but they showed us just why they deserved that spot. After belting out signature tracks such as 'This Momentary' and 'Doubt' they managed to win the crowd over and give us a smashing set. Hopefully this time round the lads will stay in the limelight for a lot longer.

   Next up were the Everything Everything lot. Also playing their second round of Xfm gigs. Well armoured with new hits such as 'Kemosabe' and 'Cough Cough' it's was sure to be a high end set of indie-techno madness. Even though you pretty much can't understand what the lead singer is saying unless you know the words, it was a damn right top set. Past hits from their first album 'Man Alive' were a bit scarce throughout the set but he spots were filled in with new tracks that were surely going to go down as Everything Everything's top tracks. A highly rates band that will soon be at the top of everyone's lists.

   The penultimate act of the night was my favourite surprise, Maximo Park. There's not really a place this band haven't been. From up and down the globe, Maximo Park have cemented themselves as one of the most exhilarating bands around to date. To them this was probably another gig but I'm sure the crowd thought differently.A trademark energetic entrance from the one and only Paul Smith, was probably the perfect way to open up their set, getting the crowd shifting and shaping. New tracks from 'The National Health' and a mixture of classic tracks from 'Quicken The Heart', 'Our Earthly Pleasures' and 'A Certain Trigger' were enough for a legendary set from the Geordie lads. Probably my favourite act of the night and definitely someone I would go and see again.

   Oh yeah, last up, the highly rated, well deserving, boys from Cockney land, Bloc Party. Going off a set I saw in Blackpool about 7 years ago, I had high expectations for the London lads. This was where my love of gigs was born, and I have been aching to see them again since then. I was unbelievably excited when Xfm announced them as their headliners this year, and rightfully so. An amazing British band at the least. The two year hiatus the band went on to pursue 'other things' had its fairly painful times, and with only Kele's occasional solo tracks it was just too much to bare. But excitement grew in mid 2012, as the band announced their come back and the appearance of their fourth studio album 'Four'. After playing all over the world and the odd gigs in the UK, they were finally back where they belonged. On one of the most legendary stages in Manchester, the O2 Apollo. Footsteps on to the stage, they graced us with their presence to the high pitched screams and manly shouts. The lads gave us tracks from all four albums, with the infamous 'Hunting For Witches', new tracks 'Kettling' and 'He Begins To Lie and getting the crowd going with the ever loved 'Flux', 'Banquet' and 'Helicopter'. To be honest that's all I really need to say about this set. The band are at just such a high quality and at the peak of musical tightness, so every song was just as good as the last. Kele's charisma, Russel's magic fingers, Gordon's normality and Matt's I-can-see-your-ribs-mate sweaty body. What a perfect way to end the night.
   Xfm never fail to put on a top end gig, and this year was going to be no different. Apart from the short cut sets, it was such an amazing night to be involved with. Lets hope next years gets better (if that is possible).

Xfm's Winter Wonderland... what to expect.

   Tonight marks the first leg of Xfm's Winter Wonderland at the O2 Apollo in Manchester. As usual it's hyped up to every extreme and it will definitely be up and over the mark this time round.
   For me this is the most anticipated time of the year; bands announce tours, festival line-up's are leaked to the public and most importantly it's time for Xfm's Winter Wonderland. The highly anticipated gigs take place on both sides of the country, giving us a mixed night of madness and music.
   

   Emerging bands Findlay and Spector kicking off the night in Manchester, also Delphic, Everything Everything, Maximo Park and the headliners Bloc Party will top off the night. Spector being such a prolific indie band of 2012, and only on second shows just how good the line-up is this year. Delphic and Everything Everything are currently on their comebacks, and have both given us albums and tracks that are sure to get the floor moving and swaying. Maximo Park will be offering us hit after hit from their long and extensive career whilst feeding us new tracks from their latest album 'The National Health'. Then the most anticipated band of the night, Bloc Party. A high octane set is expected, with a mixture of songs from all four albums that we have been graced with over the last decade. The 2year hiatus the band took has left everyone wanting a taste of the indie floorfillers, and Xfm have managed to snap them up this time round.
   So we are clearly in for a treat, which in nothing short of what we expect from Winter Wonderland when it comes around. It's going to be mental. I'll be the one in the middle with a ginger mophead kicking everyone with my massive doc martens.

  

Everybody needs... Arctic Monkeys

   Well this week, my music listening has consisted of the whole back catalogue of the mighty Muse and the all ruling Arctic Monkeys. So I guessed it's just about time I wrote something the boys from Sheffield.
   Arctic Monkeys. Possibly the best live band in the UK. I'm sure some would disagree but there isn't much better. After 4 successful and completely different albums, they have become an electrifying band that are just as good live than they are on record. From playing tiny gigs back in 2003, to gracing us on the Olympic stage and playing Madison Square Gardens this year, they have become a band that rolls off everyone's tongues. Arctic Monkeys were the innovators in the whole internet stardom thing, which is now a path for pretty much anyone. In a sense that's a good thing (well we did get this spectacular band it), but it has definitely let some crap in over the past few years. Whilst that came through, the Arctic's have given us hit after hit, with the infamous 'I Bet That You Look Good On The Dancefloor', to 'Teddy Picker' then 'Crying Lightening' and also 'The Hellcat Spangled Shalalala'. No matter what they give us, it has been ear grabbing and another album will be the same.
   To date, every album the Arctic Monkeys have released has been greatly in the public view. The raw edge of 'Whatever People Say I Am, That's What I'm Not' was an obvious hit. The refined pop-rock of 'Favourite Worst Nightmare' was taken just as well. 'Humbug' was conceived in many different ways and 'Suck It And See' was probably the most accomplished of them all. Overall it's been a more than successful few years for the lads, but where are they going next?

   I think there are lots of people that want the Arctic Monkeys to go in many different directions, then again that doesn't take away from what the boys actually want to do. According to reports, recording for their 5th studio album is currently in progress in Joshua Tree desert, California, the place they partly recorded their 3rd album 'Humbug' with the rock god, Joshua Homme. Rumors suggest that an album based around the style of the gut busting 'R U MINE?' is in the works and that would be just spectacular. That track is just as orgasmic every time I listen to it as it was when I first heard it on that bus ride home with my good friends Eryn and Alice. A whole album of this will surely bring the boys into the legendary status. So legendary that their wish of giving Glastonbury another go could come true come next summer. It's possible, but with the likes of Fleetwood Mac, Rolling Stones, and Adele lines up to play this year, its may have a slight doubt to it.  Not that they couldn't match up to them in their own way. Praying their next option is Leeds festival. Along with many other far fetched hopes.
   Well i'm sure the band can do whatever they like now, as they are already established as one of the biggest bands in England, and possibly around the world. No matter what type of album they feed to us, there is no doubt it will be a smash hit number one album. If you've not got any Arctic Monkeys records they I highly recommend that you download them or go to a record shop and grab yourself a copy.   

Gig review - The Vaccines @ O2 Apollo

   Last night, I was lucky enough to see The Vaccines at the O2 Apollo in Manchester. I expected a lot from them, and actually expected to be overwhelmed. They didn't let me down, lets just say that.
   It's been an amazing past few years for The Vaccines. After hitting the ground running when they released 'If You Wanna' back in 2010, which quickly received praise from all walks of life, they have managed to work themselves up festival line-ups, make themselves a household name and even land themselves a number 1 album. 'What Did You Expect From The Vaccines?' was the album that cemented The Vaccines in every day life, and the follow-up, 'Come Of Age' is just about doing the same job. With this being their biggest tour to date, apart from the arena tour next year, they are getting bigger and bigger, and no doubt within the next few years or so, they will be headlining small festivals and even subbing amongst the biggest names in music at major festivals.
   I have to admit I actually wasn't up for the gig yesterday, with a mixture of tiredness and genuinely just not being arsed, after all this would be the 3rd time i've seen them. The only thing that got me slightly in the mood was XFM playing 'Wetsuit' in the car on the way to college. Constant play of my Vaccines playlist on Spotify couldn't even shift my mood but it all changed when they graced us with their presence on stage. But first of course the supports. First up was Pale, who mysteriously I couldn't find any information on this morning. The duo mixed a techno drum with a heavyly reverbed guitar, which created an eerie effect. Their sound bounced off every wall. Even though they only played around a 15 minute set, they bashed out every track and left a lasting impression on me and i'm sure many other people. Great first support. Next up was a band called Deap Vally. I'd listened to them before last night, and I have to admit I wasn't much of a fan. When they walked on stage I wasn't expecting much, but I guess I was proven wrong in some sense. The lead singer didn't half know how to play guitar, the only let down was her Jack Black sounding voice. The drummer was top notch. She almost looked like she was dominating the drum kit but I guess that was just the way they both are. Overall the music was class but the singing was a letdown. The final support was DIIV. A band that mixed grungy psychedelica with melodic indieness. They were off their heads on whatever they had taken, that was clear, but they were the perfect set up for The Vaccines. The crowd was jumping, even mini moshpits were formed, getting everyone ready for what was to come from the headliners.

   The lights dimmed, the crowd roared and out came Justin, Pete, Arni and Freddie, with the overwhelming stench of weed following them. "Hello" said Justin, taking his guitar and thrashing out the intro to the raucous 'No Hope'. The floor absolutely erupted, as Justin belted every lyric angrily down the mic. Following it up with 'Wreckin' Bar' which sent people over the bar whilst Justin paced from side to side of the stage. The band continued to give us hit after hit, with the likes of 'Tiger Blood', 'Post Break-Up Sex', 'Blow It Up' and many other tracks from 'What Did You Expect...' whilst giving us new tracks such as 'All In Vain', 'Aftershave Ocean', 'Weirdo' and my personal favorite off 'Come Of Age', 'Ghost Town'. New tracks settled just as well as the old with the mix group of people that listened, watched and sung back every one of the lyrics. The night was toned down with new track, 'Change Of Heart Pt. 2' and the anthemic 'All In White' which made you appreciate how good of a live band The Vaccines actually are. 'Teenage Icon' became an instant hit amongst the crowd, passionate arms were thrown up in the air during the chorus and the floor moved and people danced and moshed with the music. We were left on a cliffhanger with signature track 'If You Wanna' which was just as mental as every other track played throughout the night. Often when your standing at a gig, you're unconsciously wishing that the set would end just so you could get away from the sweaty guys you're uncomfortable pressed up against, but their set passed in a flash and everyone just wanted more. Well that's just exactly what we got. Heads held high, the band strolled back on stage with the destined for fame 'Bad Mood' in tow. The audience bouncing, exhausted, but powering through for the final few tracks. Finally, we were given the exhilarating 'Norgaard'. The band and audience bouncing untill the last 'oohoohoohooh'. A well deserved bow was taken, the crowd showing their appreciation with screams and cheers.
   ELECTRIC. That's all I really have to say about these. They were on fire! They just manage to get better and better every time I see them, and i'm sure that will continue. Stepping up to the mark as usual. Take a bow lads, perfection of a set.
   Their UK tour continues throughout the last few days of November and the lads are back in May for their arena tour. So treat yourself. Buy a ticket. Buy their album. You definitely wont regret it.      
 

Gig review - Spector @ HMV Ritz

   Well I guess it's a bit late now, about 2 weeks late buy hey, here it is...

   Few weeks back, I saw the amazing Spector at the HMV Ritz in Manchester. For the 5th time this year i've been graced with their presence and once again, they have not let me down at all.
   Definitely my favorite new band of 2012. Spector have managed to force their way into every indie-kids playlist. Repetitive play on the radio, mentions as a band to watch with NME and XFM, and now an extensive UK tour to cement themselves as the new band of 2012. They have managed to catapult themselves up the music industry ladder in no time and with a UK Top 20 album under their belts, i'm sure it was about perfect timing to let it leash on their ever so grateful fans. Fred, Jed, Tom, Chris and Danny packed up and got ready for their biggest headline tour to date.

   For one, such a great place to play a gig. Old style room, sticky carpets and bouncy floors. Definitely the place to play in Manchester at the moment. To build up the atmosphere, Spector gave us their friends, Splashh and Swim Deep as support. Both as grungy, melodic and atmospheric as the other, they didn't half set us up well for the main act. So here we go, Spector came out to the roar of the crowd (nothing different on that front). 'Well I guess its Friday night...' Fred stated in his usual charismatic way. Chris turned up the distortion, spread his legs in the ancient rock god stance and cranked out the epic opening melody line to 'Friday Night, Don't Ever Let It End'. When the floor bounced at the front, the back were flung high into the air and sweat began to collect on the ceiling. Passionate chants of 'Friiiiiiiiiidaaayyy nighhttttttttt...' echoed throughout the room. Future hits 'Twenty Nothing' and 'Upset Boulevard' followed along with the established 'Grey Shirt & Tie'. Fred and the lads began to give us hit after hit for their album, 'Enjoy It While It Lasts'. 'True Love', 'Lay Low' and my personal favorite 'What You Wanted' just some of them. 'No Adventure' and  'Grim Reefer' just some of the others given to us off the album. But as usual, save the best till last (not quite the last) with the floor erupting 'Celestine' and 'Chevvy Thunder' which surely got the elbows banging, the moshpits forming and screams and chants to their pinnacle. Leaving us with byes, reluctantly of course, they were dragged from the stage. Once again, chants of 'SPECTOR... SPECTOR...' were reaching its way to every corner of the building. So they came back on for their encore, the most perfect 'Never Fade Away'. Hands in the air clapping, lyrics sung in unison with Fred and the band, it was the best way to end the night.
   So once again, Spector were just epic. And once again, i'll be seeing them in December at XFM's Winter Wonderland. Sometimes I feel like a fucking groupie, but ah well, they are worth it. Another 6 times will be in order in 2013. Ever get a chance to see them yourself, GO FOR IT.
   

Introducing... Axel Loughrey

"I'm proud of it, it's a work of art. My art. It's real music, it's a fresh sound and style and something new for a generation being fed fast food for the ears." Axel Loughery 

   This week i've managed to get my hands on Axel Loughrey's new album, 'Crayon Factory' and I have to say it ain't half a treat.
   Axel is a solo artist from London. He's managed to raise some eyebrows with his debut EP 'Love Thing' which was released back in 2011. Well deserved airing on Kerrang, Q and BBC, and his constant gigging around the county, helped Axel to claw himself into the British music scene which made him what he is today and give him the loyal fan-base he has. Support slots alongside the likes of Frank Turner, The King Blues and The Future Heads have surely helped him pick up his fans on the way. Axel's fans proved themselves when he received over 70000 votes to play at Orange Unsigned. No wonder he has such a following, with his edgy tunes and bluesy voice Axel was bound to make a strong following.
    For the past year and a half, Axels turned his attention to 'Crayon Factory'. Setting up shop to record the new album in a converted barn in North Norfolk, along with his 18 piece band and Mercury Prize nominated co-producer Owen Morgan, who has helped Axel to create just exactly what he wanted. The budget of both the label, and Axel himself became stretched and the album became a standstill at one point. But with the help and support of Pledge Music, Axel managed to raise 101% of his budget for the album, purely from the donations of his loyal fans. So after all that, here it is...  

   The album starts with a stunner, Snow White Blues. Axel's jazzy-rocky-blues style is highly on display. With the Gritty chords and edgy vocals it creates the perfect opening track to introduce you to Crayon Factory. Next up is the more raw Rosetta. Starting off with a crunching guitar solo, fading off to signature vocals and back up. The funky guitar lines make stick in your head and has you singing 'Rosettaaaaaa...'. Track 3, Bad Trip. Axel shows of his sensual and musically sexual side, with his smooth jazz groove. A gripping saxaphone solo at the start sends you hypnotized. Reminds me of an old 50's American jazz lounge, which makes you reminisce within the music. Easy & Sleazy picks up the pace, with old rock and roll vibes, almost Elvis like. Takes me to a 50's American diner, where everyone's up on their feet and enjoying the music, and you just cant help but have them hips jiggling. Smile is next up. It's sombre tones remind my of Johnny Cash, and Axel's Harrowing vocals give off tones of The Verve's Richard Ashcroft. A mixture of painful lyrics and spine-tingling vocals help the audience to connect with every word muttered. The fresh bluesy sounds of Lie Lie, Cry Cry are next on Crayon Factory. A high-octane mixture of blur like guitar chord progressions and woodwind instruments, help display Axel's very diverse style of music. Track 7, The Key. This could be a massive hit. The solo at the start and throughout the song is very Oasis like. Something you can imagine going to a gig, getting a little bit drunk and singing every word back to him as he is owning the stage. Next up the very psychedelic A Room Without A View. This reminds me very much of The Cure. It grabs every inch of your mind and makes you listen right down to the last note. It has an almost trance effect, makes you sway to every chord. Track 9 is the beautiful No No. This time Axel tones it down, displaying to us his superb vocals, and amazing musical skills. Building up simple guitar, bass lines, banjo and orchestral strings to an atmospheric masterpiece. One to kick off the slippers, sit up cosy and relax to. Then True Friend is presented to us, which is your classic Rock n Roll/Blues song. Strong chords, echoing vocals, typical heavy drum beat and the most perfect accompanying guitar melody line. Outright the best track on album, destined to be a hit. Back to the smooth jazzy style, but mixed with rock/blues in Vultures. Reminds me of the old 5-bar-blues I used to play as a kid (obviously a lot better than that). Snappy drum beat, gritty chords, lovely little woodwind melody. Love the rocky side of Axel and i'm sure you lot will love it too. Axel closes out with the gorgeous The Art In Choosing Not To Stay. This tracks my second favorite track on the album. It mixes your typical acoustic song with a country barn dance twist. Very pleasing to the ear and a perfect way to end the album.

   All in all, Axel's created one hell of an EP. I have to say its very mixed, and every inch of different is nothing short of amazing. Many mixtures of styles and inspirations will bring in a more diverse group of fans, as it has a lot to offer for every type of person. A lot of time, effort and passion has gone into this amazing album. With mine and many others opinions, it just proves that 'Crayon Factory' will be the album that brings Axel into every day life. So go buy it!

Released on 26th November on All Sorted!?! records, perfect little gift for Christmas i'd say.
Oh and he also plays his first live gig with a full band on 9th December at the Fiddler's Elbow in Camden London.

Mercury Prize Award 2012...

   This year's Mercury Prize Award brought stiff competition from all areas. From the new and emerging Alt-J and Django Django, right down to the legend that is Richard Hawley, It was always going to be hard to split them apart.
   So lets start with the nominees; rising starts Alt-J, Jessie Ware and Django Django were in the mix this time round. The more established Richard Hawley and The Maccabees were involved on the shortlist. Similar tones of Ben Howard, Sam Lee and Michael Kiwanuka were thrown in and so were Field Music, Plan B and the lovely Lianne La Havas. All which have managed to make a soundtrack to the 2012 music scene.
   Bookies had great odds just before the announcement was made. They had the innovative Alt-J as front runners, with Richard Hawley and Jessie Ware following up closely. If it was down to me, my favourite band The Maccabees would take the prize with their mesmerizing album 'Given To The Wild', but clearly my opinion doesn't matter. From the hype that surrounded the build up to the awards, i'd say that Richard Hawley, Django Django and Michael Kiwanuka were possible winners, but who prevailed in the end...?

   Well I can announce to you now, if you didn't already know, that Alt-J took the top spot on the night at The Roundhouse in London. Somewhat of a shock in some terms. The album hadn't been around for that long, the band haven't yet made a massive impact and I can see why it would be controversial. But the demand for the band is ridiculously high at the moment, and I can see them making a massive impact in 2013 with their now Mercury Prize Award winning album, 'An Awesome Wave'. Most bands take this prestigious label as the perfect way to break the music industry, and i'm sure Alt-J will do exactly the same.
   I can see why they have won. I'm very glad that they won. Referring to the last article I wrote, this could be the break they need to achieve everything they had hoped for. Even though the fact they 'slipped under the radar' amongst the rest of the artists, they have emerged winners. So congratulations to Alt-J!

Charles.  

5 bands to look out for

   I've spent the past few days researching some up-and-coming bands just for your listening delight. I managed to wrap my ears round these little beauties.

   Swim Deep. These guys are just delightful. They're psychedelic, echoey tones are something of the ear pleaser. Simple snippets that stick in your head for days are just what this band are about. Their lyrics are simple and thoughtful, and the music is magically mashed together into one epic summer-soundtrack of a tune. Not to mention to their music talents, I find myself quite jealous of just how cool they are. Currently touring with Spector, these guys are going to go very far.

    Peace. My oh my! This band know how to make my hips jiggle. I'd heard a lot of hype about these fellas, and now I see exactly where it was coming from. Listening to them I head hints of Foals, Maccabees, Friendly Fires and Vampire weekend, maybe even a bit of Tribes. If you like any of these bands, I would highly recommend Peace to you. They're music manages to send you into somewhat of a hypnotic trance, and grips you with every catchy guitar-line and perfectly harmonised vocal.

   Lucy Rose. I honestly think its impossible not to love the innocent sounding and lovely girl. You can't help but fall for her, with her guitar, her calming, warm voice and the way she is pretty much a music genius. Lucy made her name by doing backup vocals for Bombay Bicycle Club, and has emerged as a solo artist as of late. Shows at Reading and Leeds festival have boosted her popularity as a solo artist and rightly so. Theres nothing better to chill out to than Lucy Rose.

   Bastille. These are a sepia-toned, perfect-voiced, mixed-masterpiece of a band. The sound they create is just nothing short of perfection. With every song they make, they fill up the room with the atmospheric tones that are created. Without knowing them, i've been singing their song 'Icarus' over and over for the past few months, just cause it was played in my work a few times (Next have good taste sometimes). This shows just how catchy they are. Definitely one to watch.

   Alt-J. I first heard these little gems when I was watching T in the Park festival. The gave us an acoustic twisted version of their superb track 'Breezeblocks', which at first I thought was very peculiar. I listened to it again and it became interesting. Once more and I thought it was ingenious. The lead singers constantly pitch bending voice is one some won't like, but when you listen, you start to realise that they are a great band. I was very upset I didn't get to see them at Leeds festival this year, and I have also missed out on tickets to see them on their UK tour as well, poor me. Demand for them is so very high at the moment, and a recent appearance on Jools Holland has surely just boosted their popularity even more. Watch these guys very closely.
   Theres no doubt that every single one of these bands will make their mark in 2013. With debut albums blazing, they could slowly make their way up to be the best bands you never knew. Give them a listen!!

Charles.  

We all need... Bloc Party

   I have to admit, I haven't really listened to Bloc Party until the past few days. But there's been constant listening as of late, and its definitely reignited my love for them.

   Bloc Party are now classed as a classic floor-filling indie band, with hits such as 'Helicopter', 'Banquet' and 'Flux' which back up this view. They've been around for quite a few years, 9 to be exact, and have constantly fed us with hit-by-hit in that time. After of course, the long and painful hiatus the band went on from 2009, their back (!!!!!!!!) with their back-to-roots (of Silent Alarm and A Weekend In The City) album, Four. This made me very happy, as the dance-techno style of 'Intimacy' didn't really grip me as the other EP's had. It could possibly bring in some of the old fans they lost on the way, and i'm sure will attract some new followers.

   The band are now just casually at the top of any DJ's records-to-play and are more than often thrown into any students Spotify playlist. They're a band to get the crowd jumping, the moshpits forming and something to leave painful but worth-it bruises when you wake up in the morning. With their high-octane live shows, they have managed to pull a large and faithful crowd. From their headbanging anthems to their slow, spine-chilling ballads, they continue to thrash out tracks that are always wanted to be listened to by their varied supporters.

   Not to forget the quality of the records Bloc Party normally give us, they are also a superb live band. From Russell's hypnotic guitar mastery, and Kele's signature vocals, it's hard to find a band of a better quality. I've been lucky enough to witness them myself, as a tiny 9 year old child (lucky me) just as the outstanding 'A Weekend In The City' was just about to touch down. They entice me now just as much as they did then.

   They are just about to embark on a European tour, through November. Heading back to the UK to play XFM's Winter Wonderland, which I have got my ticket for and am eagerly awaiting, and then they are off to the US to see out the December days. If you ever get the chance to see them, then I strongly recommend that you take the opportunity. Their whirlwind of a performance will show you just exactly why they are as big as they are. 

   If you've never heard of them, go and have a listen. Maybe you'll fall for them just the way I have.

Charles.       

Xfm's Winter Wonderland: All is revealed...

   This morning, XFM revealed that the mighty Bloc Party and The Editors will be headlining their two date extravaganza over early December dates. It's not often that this happens, but Manchester's lineup is significantly better this time round.

   Every year, XFM puts on two Christmas time dates, which bring together the biggest names in music and some of the very popular emerging names into two different nights in London and Manchester. Today marked the day that they announce their lineup and get the ticket madness in full flow.

 
   This year, Manchester's O2 Apollo plays hosts to emerging band, Findlay, close-to-greatness, Spector, and Delphic, who are on a long awaited comeback after an extended time out. Everything Everything will be bringing us their indie twists and turns. Also Maximo Park will bring their high-octane indie guitar music, whilst Bloc Party will be filling the floor with their classic indie anthems and intense dance music to top off the night. The Manchester side of things is top notch this year, and it could honestly be a hard one to beat.

 
   On the other hand, London's O2 Academy Brixton, will welcome the emerging Theme Park, and Bombay Bicycle Club back-up singer, Lucy Rose. The anthemic Temper Trap and Manchester rockers, The Courteeners will be gracing us this their presence. Not to forget, headliners The Editors, who will be displaying their catchy lyrics and melody lines to the awaiting crowd. Also, there will be a surprise icon that will be receiving a well earned XFM inspiration award. This may not seem like much in some sense, but i'm sure that there will be a few surprises as usual and the bands will live up to the expectation.
   The Manchester leg excites me this year, it brings together bands I love and have once loved into one perfect night. Bloc Party were my second ever gig, at Blackpool's Winter Gardens, with the then-emerging Biffy Clyro in support, back in 2005. It gives me a chance to show my friends what the buzz is about and brings back memories in itself.
   The tickets go on sale at 9:00am tomorrow morning, and will be in high demand, so get them while you can. No matter which one you go to, you will definitely not be disappointed and every penny spent will be worth it.

Charles.

Xfm's Winter Wonderland: Who's it gonna be?

   So my favourite part of the year... when XFM is just about to announce who is headlining their famous 'Winter Wonderland'. I know it gets announced tomorrow, but i'm still sat here in excitement trying to guess who it is.

   The London and Manchester shows have brought some exciting new acts, and legendary headliners over the past few years. Manic Street Preachers, Chase and Status, Kaiser Chiefs, The Wombats, The Cribs and Bombay Bicycle Club are just some of the treats that XFM have wrapped up and given to us in the past. Every year seems to get better, and i'm sure this year they won't disappoint. But who will it be?
   This year will be my 4th year in a row, right back to 2009 when the almighty Cribs headlined, cramped up at Manchester Academy 1, then seeing The Wombats the following year (not forgetting Bombay, The Futureheads and many others). I didn't think it would get much bigger, but last year proved me wrong. Although the line-up wasn't as good, it felt like XFM had become a massive figure in radio, and rightly so.

 
   Normally I have some sort of clue to who I think is going to play, but this year i'm left to sit here thinking of impossible outcomes and wishful thoughts. So I guess i'll have to wait till 8 o'clock tomorrow, and i'll be eagerly sat next to my radio, hopefully jumping about when I hear the news. Do other people really get this excited?

Charles.

Who do you thinks going to play?? Comment if you wish.

Ones to watch... Dog is Dead

 
   So i've been looking for a anniversary present for my girlfriend this weekend, and I discovered that Dog is Dead are playing in Manchester on that day. Not a bad present in my view, lets just be hopeful Amelia thinks the same ey.  
   Dog is Dead are a five-piece indie-pop band from Nottingham. They are a mash-up of harmonious greatness that mix their simple but catchy melody lines with jazz and indie-pop styles. With all that, they manage to be a gritty, down-to-earth band that you would sit and listen to 24/7, whilst bopping and swaying your head when no ones looking. Their harrowing vocals are something that sucks you in and has you humming them whilst walking round, or maybe thats just me.

  
   Over the past few years, Dog is Dead have have gradually creeped into the music industry, with their funky tunes and quirky style. Tours with Bombay Bicycle Club have managed to highlight them as a band to keep a wandering eye on. I managed to get my hands on free tickets to go to that Bombay gig at Blackpool Empress Ballroom, and felt pretty lucky that I had won them on Xfm. The fact I was seeing Bombay yet again was amazing, but the whole gig was made tons better than I thought it would be, with Dog is Dead supporting. They echoed their atmospheric presence throughout the room, sending ear-pleasing tones to the 4'000 people in attendance. They impressed me that night and are highly recommended by myself and i'm sure many other people.

   So they turn up on Manchesters doorstep on the 23rd October, playing Manchester Academy 3. Tickets are a mere £8.50, and I assure you it will be money well spent. Why not pop down and see what they're like. Have fun!

Charles.

Busking in Manchester

   I was walking around town the other day, and heard the constant merge of different sounds and whining voices. But I have to admit they are not all bad.
   The Manchester music scene has evolved over the past few years, and many more people are venturing into town to display their musical talents on the sidewalks. It seems to be a variety of different skills, lining the  streets asking for a bit of spare change in exchange for a good song. I love it when you see a guy, sat on the cold, concrete floor with his guitar, singing along to some old classic tunes, which I often sit there and just have a listen cause it's probably worth it. There is no problem in giving your coppers up for someone who braves  terenchous weathers and who has the guts to do this in front of many people (not forgetting that they can't half string a song together).
   So I took my camera and asked if I could write about some of the buskers I saw...

   I've seen these guys dotted about Manchester a few times, and they are not half bad. They put their own acoustic twist on some pop and chart classics. With a combination of superb guitar playing and great vocals, they manage to pull in big crowds, just to watch them play their next song. Out of everyone on the streets, i'd give my money up for them, and i'm sure there are many other people that would do exactly the same. Ones to watch out for this duo.

   I also saw these guys. They are completely different than anything i've seen in town, bringing their woodwind and keyboard ensemble and twisting it with classic songs. Walking through the horrendous weather, it made me smile.
 
   So as you can see there is a variety of musical talents spread out across Manchester city centre, ranging from a guy and his guitar, to people playing harps and blasting out mini jazzed-up versions of songs on their saxophone. I've always been tempted to join them, and actually planned it with my friend Billy during the summer, but we kept pushing it off as we realised it's harder than it looks. Busking clearly takes a lot more than people think, but if you want to make a name for yourselves, I guess you've got to do this sort of thing. Nowadays, you don't even need a license, so get out there if you're looking to make a name for yourself. Got to start from somewhere haven't you.

Charles.
Ps. Sorry for the non-variety i'm showing you, I didn't have much time on my hands. But go and have a look yourselves, i'm sure you'll find something that takes your fancy.    

They're back...

   This week marked the long awaited  return of the mighty Rolling Stones. Personally, its not something that got me jumping off my feet to spend 60quid on, but its sure got a ton of people waiting in line to get tickets to see the Rock 'n' Roll legends.
   Over the past month-or-so, there has been a strong rumour that The Rolling Stones were to reunite, which has created a buzz throughout the music industry. And the rumours were nothing short of wrong. Mick and the gang are getting together for 4 special gigs in November (UK) and December (US). This could just be a one off, which will surely go down in come-back history, or it could be another one of them money-grabbing stunts which lead to yet another roll of 'one off gigs' which turn out to be an extensive world tour (not aimed at Stone Roses in any way).

 
   Back in the day, The Rolling stones were the pinnacle of Rock 'n' Roll music and are seen as one of the most influential bands around to date. The only major competition they actually had was The Beatles (obviously not much competition there, haha), and along with The Who and The Kinks it must have been a struggle to make a name for themselves. But they managed to emerge strong (after numerous members coming and going) and plant themselves in music history. They brought a different style from what was around at the time, separating themselves from the undecided-rock-psychedelic style of The Beatles and the mod-culture of The Who, highlighting themselves as the Rock 'n' Roll band of their generation.
   So only time will tell of what becomes of The Rolling Stones, and I wouldn't be surprised if we see them top the Glastonbury bill come summer. I'm sure their comeback tour will sell out in record time, and will  be put down as one of the most historic comebacks ever. Might be a good money-spender.

Charles.

Back where they belong

   Mumford and Sons have retained that prestigious top spot in the album charts this week, and deservedly so. Babel is stunning, nothing short of what you expect from them.
   With 'Sigh No More', Mumford and Sons hit the ground running. Their album became a staple in a new, folk style of music. It was something my mum and myself blasted out of our rusty Ford Fiesta as we were speeding down the motorway at its top speed of 40mph. Everyone knew 'Little Lion Man' which made the band as big as they are today. Their hillbilly banjo and harrowing vocals just can't be mistaken, as you know it is one of their tracks when you hear it. The band are very down-to-earth lads, which I guess is one of the reasons their audience connect with them so well. You get a feeling they are gracious for every bit of support they get and are humble to see so many people love them.
 
   The album starts with title track 'Babel', which brings back the love that we all once felt for this band. It entails that signature banjo and Marcus' passionate vocals, which often sends a chill up my knobbly spine. You can't help but feel there's some root of mental pain with Marcus and the band, but if it means they keep bringing out music like this then I guess its not a bad thing (sounding a bit harsh there). Then comes 'Whispers In The Dark' and 'I will wait' which are both just equally as atmospheric as the other. The use of a constant melodic Banjo line is used which starts to get repetitive, but hey, thats just their style. Through tracks 4-8 the mood is toned down, as the band let the vocals and harmonisation take over and show their worth as one of the tightest sounding bands around at the moment. Simple guitar lines are used and beautiful, thought-provoking lyrics entice the audience for yet another astonishing few tracks. Then track 9, 'Hopeless Wanderer', is offered to us. Its more than a treat. They highlight every bit of why we rate them so highly, by mixing both their passionate and beautiful sounds to create one big built-up masterpiece. This is once again displayed in 'Broken Crown', which is possibly my favourite track on the album. Its sombre tones just make me want to listen on till the last note. 'Below My Feet' and 'Not With Haste' top off the album with a some crisp sounds, which make you realise you definitely don't regret buying the album. Bonus tracks are offered to you if you wish for any more magic, but the standout track being 'The Boxer' featuring the magnificent Paul Simon is the one to listen to.
   So for the second time, Mumford and sons have created yet another spectacular album which is just a treat to listen to. This could possibly be the album that cements them into a metaphorical greatness, and with a UK arena tour just ahead, i'm pretty sure that they will get there.
 
Charles.

Everybody needs... a record player

   Theres nothing like the crappy sound quality and constant crackle that you get with a record player. Well that really doesn't sell the product, but once you get one, you realise that this is the way the album you're listening to is meant to be heard.

   For my 15th birthday, I invested a measly 70 pounds on buying myself a record player. At first I had to wonder why I did it, but I placed that first Jimi Hendrix album, given as a present, onto the deck, put the pin on and listened. I didn't move all night and since that moment i've been hooked. After that I started to venture into town to look around vinyl shops and the odd charity shop, finding vinyls for as cheap as I could get them. I even found an old Johnny Cash record for 50p. Bargain. Then I even found an original Quadrophenia print, with the book and lyrics included, all for a quid. So I guess its not a bad thing to root.
   Piccadilly records is probably the best place in Manchester for records, which me and my friend Eryn often pop into to have a look around. They also do the odd special event, band signings and Record Store day that often brings in massive crowds at 6 o'clock in the morning to get limited edition records. Back in April, on a cold and wet morning, me and Eryn braved the weather at 5am to get out hands on the limited edition Arctic Monkeys 'R U Mine?' record. Even though we were queuing for around 6 hours, it was every bit worth it.

   Luckily my auntie and uncle kept their collections and passed them down to me. Old tattered copies of The Jam's 'All Mod Cons' and a various amount of Fleetwood Mac records were just something to get me started. Listening to The Beatles' 'Live From Abbey Road' is nothing short of perfect when played on a vinyl.
So go out and get yourselves a record player, there not much, and worth every penny.  

Introducing... Jake Bugg

   So maybe this shouldn't even be an introducing article, because i'm sure that there are a lot of people who know the name Jake Bugg, but this guy has managed to astound me as much as he has made me jealous over the past 2 months. as his name's been flying about.
   Jake Bugg has the perfect life. He is only 18. He's toured with Noel Gallagher. He's had a few appearances on the famous 'Later with Jools Holland'. Just basically pretty much everything any lad would want at his age. With his quirky lyrics, simple, effective guitar riffs and retro style, he has managed to worm his way into the music scene. His very unique style has hints of Bob Dylan, Oasis and the world renowned Beatles which I guess make him stand out as much as he does. His unmistaken sound, on tracks such as 'Lightning Bolt' and 'Two Fingers', have given him the edge on most up and coming bands that are appearing.
   I've seen raving reviews off NME and XFM, which on most occasions are not that wrong, and with his miles kane like tracks their opinion hasn't been proven any different. Jake is seen as a kid thats going far and everyone is sure that he will make it in this business (as he is already on his way). In my opinion he has the working and musical talents of a young Alex Turner. He has that raw edge that Turner and the Arctic Monkeys brought to the table in 'Whatever People Say I Am, That's What I'm Not'. Maybe Jake's debut will be that career turning point that made Arctic Monkeys what they are (maybe not that extensive), so i guess we will have to wait and see.
   His album is due out on monday, which is very eagerly awaited by myself and many other people. Were all waiting to see what he gives us which i'm sure will be nothing less than the mini-masterpiece's he has already portrayed. So go and buy it.

Get involved...

So i'm open to anything from you guys; help, criticism and things you think I should be blogging about.
Email or follow me on twitter
Email- charlesh-123@hotmail.co.uk
Twitter- @charleshanratty

Charles.

Muse: fail or sail?… again

   So Muse are back, which brings back the memories of cranking up the radio when ‘Knights of Cydonia’ comes on and bashing your head repeatedly until it actually starts to hurt a little.

   They seem to have brought a dubstep mash-up of what they usually bring, which to first ear wasn’t that appealing to me. Like all Muse LP’s it tends to grow on me, at first it’s just an annoying bass line you repeatedly re-play in your head, but it gradually turns into something you acknowledge everyday and see it as an album that once again has turned into something great. But as usual it’s not all the same, ranging from the techno twists of ‘Madness’ to the funky bass line of ‘Panic Station’ that I cant help but wiggle my hips to. Although Muse will never ever write a better album than ‘Origin of Symmetry’ they’ve got to give it a go haven’t they.

   ‘2^nd law’ has its twists and turns. It is as much genius as it is versatile. It kicks off with the anthemic ‘Supremacy’, which gives off promising vibes to fans for the rest of the album. The usual riff and enticing solo are mashed up with newly introduced orchestral chimes, but are just so sublimely produced and mixed that every note fits no matter what the style. Then my stand-out tracks ‘Madness’ and ‘Panic Station’ come along. Each individual but both as epic as the other. Once again, the mood is switched to more solemn tones through track 6 to 10, with some hints of the legendary Freddie Murcury (which unlike others, Bellamy pulls off very well if I’m honest). The mood switches back to more upbeat beats through the rest of the album, which in my opinion are the weak ends of the album. All in all, I think that Muse have yet again managed to pull off an album that I don’t yet love, but can see the elements of songs that will ultimately make me fall for it as I have done the past albums.

   

   Honestly, I think Muse are possibly the best band in the world (bar Foo Fighters) at the moment and I sincerely regret turning down that ticket a few years ago. Seeing them play that legendary set at Reading and Leeds festival in 2011 ignited my passion for Muse, as Matt Bellamy’s voice used to rattle my brains just as much as Thom Yorke’s pre-pubescent whine (Radiohead). Seeing this made me realise that this band are astonishing, and have imprinted themselves into my top bands of all time. Matt Bellamy owns the stage like a futuristic Jesus, with his disco-ball jacket and his god-must-have-created Manson guitar. He will always be an idol and Muse will definitely become a band cemented in time as one of the greatest bands ever.

   Muse are returning to Manchester again in November, but as usual, I won’t be one of the lucky people that will be graced with their presence. Not a very happy kid.

Charles.

‘Up the Bracket’; ten years on…

   This week marks the tenth anniversary of ‘Up the Bracket’ and it clearly couldn't be hyped up any more. My twitter feed seems to have been filled up with ‘NME’ constantly screaming THE LIBERTINES!! down my ear, but in my opinion it’s not a bad thing.

   So this album is something I never got to really experience as a kid, I was really just too young, still being naïve singing ‘Boyzone’ tracks whilst running round the house. But I think it’s near impossible to not know the names of Pete Doherty and Carl Barat these days, maybe for the wrong reasons and that’s why we have appreciation days like this (not forgetting it is actually a sublime album). ‘Up the Bracket’ is now a staple of British guitar music. It highlights what we miss in the music industry; some clunky, gritty guitar music that we all enjoy with 2000 sweaty people in a just as sweaty room.

   The Libertines are labelled as one of them floor-filling, shoulder-bashing, deafening bands that leave you with an annoying ring in your ear the next morning and in most cases, a bad hangover. One of the first memories I have of hearing The Libertines was at a gig a few years back, I remember the floor erupting as the DJ built up the crowd before the headline band came on. All I got was fully grown men’s sweaty armpits pushed up against the back of my head, and me thinking, ‘WHAT THE F*** IS GOING ON? THIS ISN'T EVEN THEM’; but I grabbed my mates arm, them equally as confused as me, and both just danced and moved to the music so we didn't suffocate. With that and the mighty XFM playing them here and there I got to know them quite well and now they are one of my favourite bands, quite respectably in this case.

   In the terms of status, I don’t think ‘Up the Bracket’ quite has the same credibility as Nirvana’s ‘Nevermind’, and any of The Beatles albums in that retrospect, but I think it’s half on its way (maybe a quarter). It lives up to any people’s reviews, and any word-of-mouth, with grave satisfaction. In my view it can’t be beaten, its one of them albums that constantly gets played and will be one of them records I pass onto my kids.

   

   Now, the news we’re all waiting to hear is, ‘The Libertines are back’. There have been hints; there have been rumours but no certain word has emerged. The only thing us fans have to linger on is the stunning one-off slot they did at Reading and Leeds a few years back.

It’s depressing, but things look hopeful. I've seen words of Pete and Carl writing new material and both of them saying that a reunion is not off the cards, so a boy can hope ey. I’m just waiting to see them on the top of that big yellow poster come summer (please be Leeds and not Glastonbury). Vaguely

Charles.

Here we go...

Hello, i'm Charles.
Right here i'll be writing anything thats current music news. Basically im a cheap imitation of NME but without paying £2.50 just so you can read the same things over again. I will try and write a few articles a week, amongst the stereotypical hectic college life (not what it seems is it. Fuck you skins) but they will probably be at 2 o'clock in the morning just like this one.
Feel free to comment.
Have fun.
Charles.